I was baptised in the Church of England. I was married in church too but, as a couple, we decided against having our children christened. It upset a few relatives. My Auntie Joyce worried about what might happen if they died as infants. Gill's dad felt they ought to have a dose of religion early, rather, it seemed to us, as you would have a vaccination, to prevent catching something far worse later on.
Reading the views of the Very Reverend Colin Slee,
who has banned singing of the hymn, Jerusalem in Southwark Cathedral, I can understand my father-in-law's fears. Slee is still a Dean and has yet to take the purple, but he seems eminently qualified to join the ranks of nutty bishops who have been let loose in one of England's greatest institutions.
Motorway madnessThere is a lot of wisdom in the clergy, but sometimes when they open their mouths it is as if they have just found themselves driving the wrong way down the motorway. They're in the right lane but what are all these bloody idiots doing coming the other way?
In this case the bloody idiots are people like me who are rarely happier than when they're belting out a rousing chorus of the one hymn that can be said to be truly English.
The Church of England may no longer need such a hymn but the
English certainly need it at rugby matches to keep up with the rousing tunes owned by the Welsh, Scots, Irish and French. Sorry Italy, but "Just one Cornetto" doesn't hack it.
Satanic millsBlake's poem is often misunderstood. According to a footnote in
Poem for the Day (published by Sinclair-Stevenson), an excellent anthology that gives you what it says on the cover, Blake's reference to "dark satanic mills," which most people assume is describing the factories of the industrial revolution, is alluding "first and foremost to Oxford and Cambridge and the rigidity of classics and mathematics."
The sword that won't sleep in his hand is his pen and "building Jerusalem" is all about writing his longest epic poem (which isn't really a poem). So we can be forgiven, perhaps, for referring to the preface to this poem, which really is a poem, by the name that was applied to the whole work. Clear, so far?
First bloodBut it is only when we understand that the preface is referring to the larger work that we can appreciate it is not another piece of jingoistic, militaristic nonsense. The third verse - "Bring me my bow" etc - is referring to poetic muses, inspiration, genius and such like. It's not about Rambo getting ready for First Blood Part II.
All that aside, Jerusalem (the hymn) is a fine piece of work which deserves to be sung by the English in cathedrals, be they religious or sporting.
If you need to be reminded of the verses, here it is (incidentally I just ran this through the spell-checker and it didn't like "builded"):
And did those feet in ancient time
Walk upon England's mountains green?
And was the holy Lamb of God
On England's pleasant pastures seen?
And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark satanic mills?
Bring me my bow of burning gold;
Bring me my arrows of desire;
Bring me my spear; O clouds, unfold!
Bring me my chariot of fire!
I will not cease from mental fight,
Nor shall my sword sleep in my hand,
Till we have built Jerusalem
In England's green and pleasant land.
Labels: arrows of desire, burning gold, Colin Slee, Jerusalem, Just one Cornetto, Rambo, Southwark Cathedral, William Blake